So. I've had this draft sitting for a while. I only add to it bit by bit because it's hard right now to have time to really sit with it and let it develop more. However, I think I'm going to let it sit even more because I think I have something else to do first.
The idea first came in to my head some months ago. Now it's more prevalent, and it's one of those things where I feel that if I'm considering it at all, then that means I must see it through.
So my second book may not in fact be my second novel. Instead, it might be what I suppose for now we'll just call more of a non-fiction piece. Probably something quite short, unless it develops into more that I can't see yet.
As I've had some more days here and there to myself and as simultaneous contentment and concern have bubbled within me, I've felt more content to spend a random hour or even just half hour in the evening writing. I'm not just tired wanting to relax; I want to work on this my chosen craft. (Did I chose it, though? Or was it chosen for me? If the latter, then even more reason for me to develop it.)
I have things I want to share and maybe need to share. With how many people I don't know and that doesn't matter; even one person would be enough. So the other manuscript will continue sitting (maybe I'll still work on it at my turtle pace; we'll see) while I try and focus on this new project.
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Monday, October 15, 2018
Thursday, June 28, 2018
Writing Progress
It's an exciting thing to print out a draft for the first time.
I didn't think I was at that stage yet; I thought I was going to write up more first. Then I just felt like I needed to print it all out to be able to do more. After all, I do have a beginning, some early stages, a tiny bit of the middle, and an ending (maybe not the end end but some of the end). Time to take a step back and see what I have in order to be able to see what I need.
Having printed out said manuscript, I read through it all yesterday. Some of this I wrote months and months ago and have barely looked at since. So it's a strange sensation to suddenly see it physical--and to see that it does work toward a whole. Sometimes I've felt like I've really been letting this latest book drag. But there are pieces of it that I could only have written at certain specific times. When I was writing the beginning, for instance, I only knew the beginning; I knew nothing of the rest. Later, I started to get the pieces that I was missing.
In fact, I was missing so much that I expected, when I read through it all, to find a definite tone shift halfway through. I was expecting to find incongruence that I'd need to fix. Surprisingly, though, I didn't find much of that. Instead I just find gaps that I need to fill in more (which I already knew I'd need given that this is a complete-but-not-complete draft). I did write one scene twice--and it's quite different each time. I mean, I wrote the same scene for Black Tree two or maybe even three times because I thought I hadn't written it yet (and then I ended up not even using it; it might actually work better in this new book, though, strange enough). That scene was mostly the same each time that I wrote it. Not the case for this current one. One version is definitely better as far as theme and character go, but I do love the setting of the other version--so I might have to just keep the setting and figure out what scene is supposed to go with that setting.
And I realize that I'm missing a scene that I remember writing. I write in a couple of different notebooks (one is more for when I'm free writing, but that often turns into content that I can use) and occasionally on loose paper (I type it all up later), but I can't find that scene anywhere. So a little bit of organization is necessary, I suppose.
Anyway. It's been a while since I did a sale for Black Tree. So let's call it an Independence Day sale for 40% off paperback and hardcover copies at this link.
I didn't think I was at that stage yet; I thought I was going to write up more first. Then I just felt like I needed to print it all out to be able to do more. After all, I do have a beginning, some early stages, a tiny bit of the middle, and an ending (maybe not the end end but some of the end). Time to take a step back and see what I have in order to be able to see what I need.
Having printed out said manuscript, I read through it all yesterday. Some of this I wrote months and months ago and have barely looked at since. So it's a strange sensation to suddenly see it physical--and to see that it does work toward a whole. Sometimes I've felt like I've really been letting this latest book drag. But there are pieces of it that I could only have written at certain specific times. When I was writing the beginning, for instance, I only knew the beginning; I knew nothing of the rest. Later, I started to get the pieces that I was missing.
In fact, I was missing so much that I expected, when I read through it all, to find a definite tone shift halfway through. I was expecting to find incongruence that I'd need to fix. Surprisingly, though, I didn't find much of that. Instead I just find gaps that I need to fill in more (which I already knew I'd need given that this is a complete-but-not-complete draft). I did write one scene twice--and it's quite different each time. I mean, I wrote the same scene for Black Tree two or maybe even three times because I thought I hadn't written it yet (and then I ended up not even using it; it might actually work better in this new book, though, strange enough). That scene was mostly the same each time that I wrote it. Not the case for this current one. One version is definitely better as far as theme and character go, but I do love the setting of the other version--so I might have to just keep the setting and figure out what scene is supposed to go with that setting.
And I realize that I'm missing a scene that I remember writing. I write in a couple of different notebooks (one is more for when I'm free writing, but that often turns into content that I can use) and occasionally on loose paper (I type it all up later), but I can't find that scene anywhere. So a little bit of organization is necessary, I suppose.
Anyway. It's been a while since I did a sale for Black Tree. So let's call it an Independence Day sale for 40% off paperback and hardcover copies at this link.
Tuesday, February 13, 2018
What It Feels Like to Start Writing Again
I've been telling everyone that yes, I have started work on a second book. The reality, though, is that, while I do have a decent start at that second book, and while I do think about it frequently (which is part of the work of working on a book), it had been months since I had added anything visibly significant to such book.
A few days ago, I started up again. And I can feel the change.
I can feel it physically in my wrist. Nothing irks my wrist more than writing with a pencil (a Sharpie, for instance, is okay--I do a lot of writing with Sharpies these days, but I guess they're fine because they're thicker--so maybe I need a thicker pencil). Yet I prefer to do most of the early stages of writing with a pencil. The later stages can be done on a keyboard. But there is something . . . less visible about working with a pencil on paper; it's an effect that frees me to write out words in a sort of free write style, to be unconcerned with what I am putting out. Later on you can remove or change whatever needs removing or changing, but at the moment you just need to write down whatever comes--because the process is what breathes whatever needs to be brought into existence.
I can feel it in my mood, too. Jubilation mingles with sitting on the edge. I felt free when the other night after being unable to sleep I got out of bed for a free write and then returned to bed feeling a sense of weightlessness. But I feel . . . caught up when I think of the issues this book will be bringing up: I have to feel emotions and themes in order to write them. So here I am, perfectly happy (well, you know, on average), trying to stir up feelings practically of a mid-life crisis. I can be sitting inside of my skin and then suddenly jump into my mind into this other skin, this skin I'm making up, and feel so caught up in that other skin that I in fact do start mingling that life with my own (which is dangerous territory to fall into, I realize).
What else do I feel? Pleased. I've been letting these "early stages" of this next book drag out rather long. It feels right to know that I'm finally starting up at it again and that when I tell people that more will be coming, it is true. Maybe it would have been better to get a second book out close on the heels of the first, but I think that the more time elapses between the two, the more I will realize how I can make improvements. I'm realizing certain things that I didn't do with the first book that I can do with this one, certain things that I held back on before that I don't need to hold back on this time.
I am free and I am taken because my veins have started to bleed words again.
A few days ago, I started up again. And I can feel the change.
I can feel it physically in my wrist. Nothing irks my wrist more than writing with a pencil (a Sharpie, for instance, is okay--I do a lot of writing with Sharpies these days, but I guess they're fine because they're thicker--so maybe I need a thicker pencil). Yet I prefer to do most of the early stages of writing with a pencil. The later stages can be done on a keyboard. But there is something . . . less visible about working with a pencil on paper; it's an effect that frees me to write out words in a sort of free write style, to be unconcerned with what I am putting out. Later on you can remove or change whatever needs removing or changing, but at the moment you just need to write down whatever comes--because the process is what breathes whatever needs to be brought into existence.
I can feel it in my mood, too. Jubilation mingles with sitting on the edge. I felt free when the other night after being unable to sleep I got out of bed for a free write and then returned to bed feeling a sense of weightlessness. But I feel . . . caught up when I think of the issues this book will be bringing up: I have to feel emotions and themes in order to write them. So here I am, perfectly happy (well, you know, on average), trying to stir up feelings practically of a mid-life crisis. I can be sitting inside of my skin and then suddenly jump into my mind into this other skin, this skin I'm making up, and feel so caught up in that other skin that I in fact do start mingling that life with my own (which is dangerous territory to fall into, I realize).
What else do I feel? Pleased. I've been letting these "early stages" of this next book drag out rather long. It feels right to know that I'm finally starting up at it again and that when I tell people that more will be coming, it is true. Maybe it would have been better to get a second book out close on the heels of the first, but I think that the more time elapses between the two, the more I will realize how I can make improvements. I'm realizing certain things that I didn't do with the first book that I can do with this one, certain things that I held back on before that I don't need to hold back on this time.
I am free and I am taken because my veins have started to bleed words again.
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